1 00:00:27,200 --> 00:00:29,560 APPLAUSE 2 00:00:29,560 --> 00:00:33,960 MUSIC: "Theme from Doctor Who" by Ron Grainer 3 00:00:39,600 --> 00:00:41,960 Doctor Who Proms. 2013. Boom! 4 00:00:41,960 --> 00:00:46,360 MUSIC: "Theme from Doctor Who" by Ron Grainer 5 00:00:46,360 --> 00:00:50,360 It's like this huge Doctor Who 50th anniversary celebration. 6 00:00:51,520 --> 00:00:53,880 A wonderful choir, wonderful orchestra. 7 00:00:53,880 --> 00:00:58,320 Ben Foster's the most handsome conductor on the planet. 8 00:00:58,320 --> 00:00:59,640 Alert! Alert! 9 00:00:59,640 --> 00:01:02,520 - We have the Daleks, Weeping Angels, Cybermen... - Obey! 10 00:01:02,520 --> 00:01:05,320 When they come in, I can hear the screams behind me. 11 00:01:05,320 --> 00:01:08,200 And I do have to turn around and just enjoy it. 12 00:01:11,680 --> 00:01:13,840 Everybody's extremely excited, 13 00:01:13,840 --> 00:01:16,240 and I just think it's going to be a really great show. 14 00:01:16,240 --> 00:01:17,880 Who would not want to perform in this? 15 00:01:17,880 --> 00:01:21,640 This is one of the iconic concert halls of the world. 16 00:01:21,640 --> 00:01:26,800 The rest of the year, we do very lovely concerts that are very 17 00:01:26,800 --> 00:01:30,200 straightforward, because there are no monsters, there's no Doctor Who. 18 00:01:33,480 --> 00:01:37,240 One of my new year's resolutions was to go and watch more live music, 19 00:01:37,240 --> 00:01:40,640 so this is kind of a spectacular way to do it. 20 00:01:40,640 --> 00:01:42,560 I keep meeting people outside, and they say, 21 00:01:42,560 --> 00:01:45,400 "I'm learning violin or trombone," and you think, "Great." 22 00:01:45,400 --> 00:01:49,040 And I hope that coming to a concert like this will inspire them 23 00:01:49,040 --> 00:01:50,400 to want to be in orchestras. 24 00:01:50,400 --> 00:01:52,640 Hello! Welcome to the BBC Proms. 25 00:01:54,080 --> 00:01:57,320 When you're sat in the auditorium, there's nothing really like it. 26 00:01:57,320 --> 00:02:00,080 I looked at some of the kids, and they're like... 27 00:02:00,080 --> 00:02:02,280 It's cool, man. 28 00:02:05,400 --> 00:02:07,520 APPLAUSE 29 00:02:12,360 --> 00:02:15,880 It's amazing how the songs really do stick with you. 30 00:02:15,880 --> 00:02:18,160 But, like, Doctor Who is so about the drama, 31 00:02:18,160 --> 00:02:21,280 and the music is such a huge part of the show. 32 00:02:28,280 --> 00:02:30,880 I've always written very lyrical themes. 33 00:02:30,880 --> 00:02:34,480 They always feel like they're from the heart, I think. 34 00:02:34,480 --> 00:02:37,840 Trying to just grab people and sing big choruses of love. 35 00:02:44,800 --> 00:02:46,400 Murray Gold is a genius. 36 00:02:46,400 --> 00:02:50,120 And the number of melodies that man has come up with 37 00:02:50,120 --> 00:02:53,760 that are utterly haunting, utterly memorable. 38 00:02:53,760 --> 00:02:56,640 I've become quite attached to some of the music in this show, 39 00:02:56,640 --> 00:02:59,160 because, you know, I find it very moving. 40 00:02:59,160 --> 00:03:02,840 And also I look at Karen and Arthur and Jenna, you know, acting 41 00:03:02,840 --> 00:03:07,160 and doing their best, and then all this soaring sort of emotive music 42 00:03:07,160 --> 00:03:10,520 swelling up around you, it kind of stirs me, I guess. 43 00:03:10,520 --> 00:03:13,760 It's one of the things I'm going to miss the most, definitely. 44 00:03:17,240 --> 00:03:20,000 APPLAUSE 45 00:03:24,480 --> 00:03:30,200 MUSIC: "The Mad Man With A Box" by Murray Gold 46 00:03:30,200 --> 00:03:38,200 # Ah... 47 00:03:42,680 --> 00:03:49,800 # Ah... 48 00:04:24,280 --> 00:04:28,360 MELANCHOLIC MUSIC 49 00:04:40,480 --> 00:04:44,680 CHOIR JOINS IN WITH SOLOIST 50 00:05:32,280 --> 00:05:36,480 MUSIC CRESCENDOS 51 00:06:17,880 --> 00:06:21,040 CHEERING AND APPLAUSE 52 00:06:30,920 --> 00:06:38,240 MUSIC: "I Am The Doctor" by Murray Gold 53 00:07:00,560 --> 00:07:02,440 THEY SCREAM 54 00:07:38,120 --> 00:07:43,200 MUSIC CRESCENDOS, THEN DIMINUENDOS 55 00:08:03,320 --> 00:08:05,400 THEY SCREAM 56 00:08:10,840 --> 00:08:14,640 MUSIC GETS FASTER 57 00:08:16,400 --> 00:08:18,960 THEY SCREAM 58 00:09:08,360 --> 00:09:11,760 DRAMATIC MUSIC 59 00:09:27,360 --> 00:09:31,560 THEY CHEER 60 00:09:43,840 --> 00:09:46,800 Hello, Stonehenge! 61 00:09:46,800 --> 00:09:51,000 Who takes the Pandorica takes the universe. 62 00:09:51,000 --> 00:09:53,600 But bad news, everyone... 63 00:09:55,360 --> 00:09:57,440 Cos guess who? Ha! 64 00:09:58,480 --> 00:10:03,560 Listen, you lot, you're all whizzing about. It's really very distracting. 65 00:10:03,560 --> 00:10:09,680 Could you all just stay still a minute? BECAUSE I AM TALKING! 66 00:10:12,600 --> 00:10:15,800 Now, the question of the hour is, "Who's got the Pandorica?" 67 00:10:15,800 --> 00:10:17,360 Answer - "I do." 68 00:10:17,360 --> 00:10:20,760 Next question - "Who's coming to take it from me?" 69 00:10:21,840 --> 00:10:24,360 Come on! Look at me. 70 00:10:24,360 --> 00:10:26,720 No plan, no back-up, no weapons worth a damn. 71 00:10:26,720 --> 00:10:30,920 Oh, and something else - I don't have anything to lose. 72 00:10:30,920 --> 00:10:34,320 So, if you're sitting up there in your silly little spaceship 73 00:10:34,320 --> 00:10:36,520 with all your silly little guns 74 00:10:36,520 --> 00:10:39,960 and you've got any plans on taking the Pandorica tonight, 75 00:10:39,960 --> 00:10:43,160 just remember who's standing in your way. 76 00:10:43,160 --> 00:10:48,040 Remember every black day I ever stopped you. 77 00:10:48,040 --> 00:10:52,520 And then - AND THEN - 78 00:10:52,520 --> 00:10:55,120 do the smart thing. 79 00:10:56,320 --> 00:10:58,960 Let somebody else try first. 80 00:11:00,840 --> 00:11:03,920 MUSIC SWELLS 81 00:11:18,040 --> 00:11:20,720 Trust me. 82 00:11:22,880 --> 00:11:26,040 I'm The Doctor. 83 00:11:30,240 --> 00:11:32,360 MUSIC CLIMAXES 84 00:11:32,360 --> 00:11:36,000 CHEERING AND APPLAUSE 85 00:11:46,080 --> 00:11:48,880 - That was really disappointing. - I know, I'm sorry. 86 00:11:48,880 --> 00:11:50,360 How could you not get tickets? 87 00:11:50,360 --> 00:11:52,800 I didn't realise it would be so popular! 88 00:11:52,800 --> 00:11:54,960 - Well, you must know somebody. - Eh? Why? 89 00:11:54,960 --> 00:11:56,920 Doctor, it's a concert about YOU. 90 00:11:56,920 --> 00:12:00,080 And I've got the perfect way to get us in. 91 00:12:00,080 --> 00:12:01,200 What's that? 92 00:12:01,200 --> 00:12:02,680 A Hyperscape Body Swap ticket, 93 00:12:02,680 --> 00:12:06,120 valid for all entertainment events in the history of the universe. 94 00:12:06,120 --> 00:12:09,560 - Body swap? - Exactly. We just scrape off this little bit of foil here, 95 00:12:09,560 --> 00:12:13,360 and right now, two people sitting in the Albert Hall get deleted. 96 00:12:13,360 --> 00:12:16,000 - Deleted? - Yes, we just appear in their seats. 97 00:12:16,000 --> 00:12:19,720 - But what about the deleted people? - Oh...they get deleted. 98 00:12:19,720 --> 00:12:21,840 Otherwise we'd be sitting in their laps. 99 00:12:21,840 --> 00:12:23,680 And they wouldn't want that at all. 100 00:12:23,680 --> 00:12:25,920 I mean, imagine if some young fellow out there 101 00:12:25,920 --> 00:12:28,200 suddenly gets you in his lap. He'd be furious. 102 00:12:28,200 --> 00:12:30,440 - By "deleted", you mean... - They get sent outside. 103 00:12:30,440 --> 00:12:33,480 They materialise perfectly safely a few streets away. 104 00:12:33,480 --> 00:12:36,000 - Oh, OK. - Naked. - Naked? 105 00:12:36,000 --> 00:12:40,000 Yes. We get their clothes too. It's all part of the Body Swap service. 106 00:12:40,000 --> 00:12:42,160 But they'll miss the concert. That's not fair. 107 00:12:42,160 --> 00:12:45,840 Ah, they get compensated. A nice packet of biscuits. 108 00:12:45,840 --> 00:12:49,560 Jammie Dodgers, probably. Also a billion billion pounds, immortality, 109 00:12:49,560 --> 00:12:51,560 X-ray vision, a spacebus, an electric camel, 110 00:12:51,560 --> 00:12:54,520 a house that's bigger on the inside - and the outside - 111 00:12:54,520 --> 00:12:57,960 the legal right to marry 15 people of their own choosing and a pardon. 112 00:12:57,960 --> 00:13:01,560 - A pardon? - For being naked in the street. - OK, that sounds fair. 113 00:13:01,560 --> 00:13:04,800 - Shall we? - Go on. 114 00:13:09,960 --> 00:13:13,160 Doctor? 115 00:13:22,480 --> 00:13:27,800 Hello, Albert Hall! 116 00:13:27,800 --> 00:13:29,560 CHEERING AND APPLAUSE 117 00:13:29,560 --> 00:13:33,160 We made it! 118 00:13:33,160 --> 00:13:34,920 CHEERING AND APPLAUSE 119 00:13:34,920 --> 00:13:39,320 Well, how wonderful to be here. And my TARDIS made it. And a piano. 120 00:13:39,320 --> 00:13:42,120 - How exciting! - HE PLAYS BEETHOVEN 121 00:13:42,120 --> 00:13:44,000 If Ludwig van could see me now! 122 00:13:44,000 --> 00:13:47,400 Hello, choir! Hello, orchestra! 123 00:13:48,600 --> 00:13:51,960 Oh, and it's Ben Foster. Ben, did you get my present? 124 00:13:51,960 --> 00:13:56,040 Excellent! It may come in handy in the case of alien invasion. 125 00:13:56,040 --> 00:13:57,760 CHEERING 126 00:13:57,760 --> 00:14:01,240 Let's leave it to the real maestro, shall we? 127 00:14:01,240 --> 00:14:02,840 Ooh, where's Clara? Clara? 128 00:14:02,840 --> 00:14:05,240 Doctor? 129 00:14:07,720 --> 00:14:11,160 You promised we'd be in the audience, not in the orchestra! 130 00:14:11,160 --> 00:14:13,560 I don't know how to play the double bass! 131 00:14:13,560 --> 00:14:16,080 Yes, yes... Sorry. Well, don't panic! 132 00:14:16,080 --> 00:14:20,840 But at least the costume went all right. Tails and a bow-tie. Jackpot! 133 00:14:20,840 --> 00:14:22,840 SHE GASPS 134 00:14:22,840 --> 00:14:25,760 - Your hair! - Argh! - What happened to your hair? 135 00:14:25,760 --> 00:14:27,480 Oh, no. That must be the ticket! 136 00:14:27,480 --> 00:14:31,200 Oh, never trust a tout - especially when he's from Space Vegas. 137 00:14:31,200 --> 00:14:33,720 Actually, that reminds me - I've got to take you there. 138 00:14:33,720 --> 00:14:35,720 It's the ultimate planet for excitement. 139 00:14:35,720 --> 00:14:40,360 Right, then. Now, then - orchestra, are we ready, ready, ready? 140 00:14:40,360 --> 00:14:43,360 ORCHESTRA PLAYS CHORDS 141 00:14:45,840 --> 00:14:49,640 - Doctor? - Yes. - Concentrate. Can we take our seats, 142 00:14:49,640 --> 00:14:52,840 because everybody is waiting? LAUGHTER 143 00:14:52,840 --> 00:14:56,440 Right, yes. Ladies and gentlemen of the orchestra, my sincere apologies. 144 00:14:56,440 --> 00:14:58,840 Ladies and gentlemen of the audience, sorry for 145 00:14:58,840 --> 00:15:01,320 interrupting this Prom. Benjamin, please, take this. 146 00:15:01,320 --> 00:15:04,560 - Right. Gosh, there's a lot of you, isn't there? It's time to run. - Ooh! 147 00:15:04,560 --> 00:15:08,160 - LAUGHTER Wrong way. - OK. Bye! - Bye! 148 00:15:08,160 --> 00:15:10,280 CHEERING AND APPLAUSE 149 00:15:16,200 --> 00:15:20,600 My role is Madame Vastra, who is a Silurian. 150 00:15:20,600 --> 00:15:23,560 She's a humanoid reptile. 151 00:15:24,600 --> 00:15:27,480 She helps... Her, Jenny and Strax 152 00:15:27,480 --> 00:15:31,920 help back up The Doctor in some of his adventures. 153 00:15:31,920 --> 00:15:34,640 Well, I did the very first one of these about five years ago, 154 00:15:34,640 --> 00:15:37,640 as a Sontaran, but I wasn't actually on stage talking to people, 155 00:15:37,640 --> 00:15:39,840 I was running around in the crowd scaring people. 156 00:15:39,840 --> 00:15:43,360 So this is actually being on stage in front of the big 157 00:15:43,360 --> 00:15:47,000 Royal Albert Hall audience will be very exciting. 158 00:15:47,000 --> 00:15:49,000 HE SINGS 159 00:15:51,360 --> 00:15:54,240 I've been doing all of the prosthetics 160 00:15:54,240 --> 00:15:55,960 since the show came back. 161 00:15:55,960 --> 00:15:59,160 These events are always fantastic fun. 162 00:15:59,160 --> 00:16:04,800 Just to hear the reaction from the kids as the Cybermen stomp on, 163 00:16:04,800 --> 00:16:07,280 - it's absolutely fantastic. - THEY CHEER 164 00:16:07,280 --> 00:16:09,080 This is new, this is my microphone. 165 00:16:09,080 --> 00:16:12,800 Because obviously I'm going to be on stage, speaking to the audience. 166 00:16:12,800 --> 00:16:15,240 And, yes, working out where Commander Strax... Oh, God! 167 00:16:15,240 --> 00:16:18,880 Looks like he's had a facial piercing, which is disturbing! 168 00:16:20,920 --> 00:16:25,040 We were in rehearsing yesterday and listening to the orchestra play 169 00:16:25,040 --> 00:16:29,600 and the choir, and watching the screens. It's going to be awesome! 170 00:16:29,600 --> 00:16:32,240 Huge. 5,000-6,000 people. 171 00:16:32,240 --> 00:16:34,680 All going crazy. 172 00:16:34,680 --> 00:16:37,480 APPLAUSE 173 00:16:40,280 --> 00:16:42,600 CHEERING 174 00:16:48,040 --> 00:16:50,200 Hello, everyone. 175 00:16:52,240 --> 00:16:56,600 Welcome to this very special Doctor Who Prom. 176 00:16:56,600 --> 00:16:59,240 My name is Vastra. 177 00:16:59,240 --> 00:17:01,640 CHEERING AND APPLAUSE 178 00:17:06,360 --> 00:17:10,400 Madam.... Madam, we appear to be surrounded. 179 00:17:10,400 --> 00:17:13,000 There are thousands of puny humans everywhere! 180 00:17:13,000 --> 00:17:18,200 Strax... Strax, these are all The Doctor's friends! 181 00:17:18,200 --> 00:17:20,680 CHEERING AND APPLAUSE 182 00:17:24,120 --> 00:17:25,840 Very well, if you say so, madam. 183 00:17:25,840 --> 00:17:28,520 - But I'll be keeping my eye on them. - LAUGHTER 184 00:17:28,520 --> 00:17:32,120 For now, I'll stand down the Sontaran battle fleet. 185 00:17:32,120 --> 00:17:34,880 Yes, a very good idea, Strax. 186 00:17:34,880 --> 00:17:39,280 Today we're all here to celebrate our friend, The Doctor. 187 00:17:39,280 --> 00:17:41,400 APPLAUSE 188 00:17:43,040 --> 00:17:46,360 I am told that you humans have been following 189 00:17:46,360 --> 00:17:50,720 The Doctor's adventures for almost five decades. 190 00:17:50,720 --> 00:17:53,400 CHEERING AND APPLAUSE 191 00:17:53,400 --> 00:17:58,040 - Some us have known him much longer! - LAUGHTER 192 00:17:58,040 --> 00:18:01,480 All of the music that you will be hearing in this concert 193 00:18:01,480 --> 00:18:03,760 has been heard in Doctor Who. 194 00:18:03,760 --> 00:18:08,280 Most of it is by The Doctor's personal composer, Mr Murray Gold. 195 00:18:08,280 --> 00:18:10,400 CHEERING AND APPLAUSE 196 00:18:14,560 --> 00:18:17,040 - Don't wander off. - Hmm? - I mean it. 197 00:18:17,040 --> 00:18:21,080 Otherwise you'll wander off, and the next thing you know, 198 00:18:21,080 --> 00:18:24,560 somebody's going to have to start rescuing somebody. 199 00:18:24,560 --> 00:18:26,160 Sweet dreams. 200 00:18:28,040 --> 00:18:33,080 MUSIC: "Cyber Shard" by Murray Gold 201 00:18:47,040 --> 00:18:50,200 DRAMATIC BRASS MUSIC 202 00:19:09,000 --> 00:19:12,440 APPLAUSE 203 00:19:54,560 --> 00:19:56,560 SHE SCREAMS 204 00:19:59,680 --> 00:20:03,080 THEY SCREAM 205 00:22:59,880 --> 00:23:01,560 CHEERING AND APPLAUSE 206 00:23:09,720 --> 00:23:12,160 That was Cyber Shard. 207 00:23:12,160 --> 00:23:14,400 I hope no-one was deleted! 208 00:23:15,400 --> 00:23:18,960 When The Doctor invited Clara on her first trip in the TARDIS, 209 00:23:18,960 --> 00:23:22,680 she asked to be shown "something awesome". 210 00:23:22,680 --> 00:23:25,160 We are going to take you on that same journey 211 00:23:25,160 --> 00:23:29,720 to the Rings of Akhaten to witness the Festival of Offerings. 212 00:23:29,720 --> 00:23:33,800 Please welcome our two singers - the Queen of Years, Kerry Ingram, 213 00:23:33,800 --> 00:23:35,720 and Allan Clayton. 214 00:23:35,720 --> 00:23:38,240 CHEERING AND APPLAUSE 215 00:23:55,240 --> 00:23:59,040 MUSIC: "The Rings Of Akhaten" by Murray Gold 216 00:24:02,680 --> 00:24:08,480 # Rest now 217 00:24:08,480 --> 00:24:17,200 # My warrior 218 00:24:17,200 --> 00:24:25,720 # Lay down, my king 219 00:24:25,720 --> 00:24:34,480 # Sleep now, eternal 220 00:24:34,480 --> 00:24:42,480 # Sleep, my precious thing 221 00:24:42,480 --> 00:24:48,120 # Rest now 222 00:24:48,120 --> 00:24:57,360 # My warrior 223 00:24:57,360 --> 00:25:05,360 # Rest now, my king 224 00:25:06,920 --> 00:25:09,680 # Rest now 225 00:25:09,680 --> 00:25:22,720 # Your hardship is over... # 226 00:25:22,720 --> 00:25:24,520 Come on, then. 227 00:25:24,520 --> 00:25:26,440 Take mine. 228 00:25:26,440 --> 00:25:31,040 Take my memories. 229 00:25:31,040 --> 00:25:34,760 I hope you've got a big appetite, 230 00:25:34,760 --> 00:25:37,760 - because I have lived... - THE DOCTOR GRUNTS 231 00:25:37,760 --> 00:25:41,720 ..a long life and I have seen a few things. 232 00:25:41,720 --> 00:25:46,080 I walked away from the Last Great Time War, 233 00:25:46,080 --> 00:25:49,840 I marked the passing of the Time Lords, 234 00:25:49,840 --> 00:25:51,560 I saw the birth of the universe 235 00:25:51,560 --> 00:25:53,720 and I watched as time ran out 236 00:25:53,720 --> 00:25:56,640 till nothing remained, just me! 237 00:25:56,640 --> 00:26:02,280 And I have watched universes freeze and creations burn, 238 00:26:02,280 --> 00:26:05,520 and I know things, secrets that must never be told, 239 00:26:05,520 --> 00:26:10,160 knowledge that will make parasite gods blaze! 240 00:26:10,160 --> 00:26:13,400 So come on, then! 241 00:26:13,400 --> 00:26:14,920 Take it! 242 00:26:14,920 --> 00:26:17,080 Take it all, baby! 243 00:26:17,080 --> 00:26:18,800 Have it! 244 00:26:18,800 --> 00:26:20,760 You have it all! 245 00:26:20,760 --> 00:26:28,320 # ..Live, wake up 246 00:26:28,320 --> 00:26:33,080 # Wake up 247 00:26:33,080 --> 00:26:39,560 # And let the cloak of life 248 00:26:39,560 --> 00:26:45,440 # Cling to your bones 249 00:26:45,440 --> 00:26:51,640 # Wake up 250 00:26:51,640 --> 00:26:57,320 # Live 251 00:26:57,320 --> 00:27:00,200 # Wake up 252 00:27:00,200 --> 00:27:04,800 # Wake up 253 00:27:04,800 --> 00:27:11,880 # And let the cloak of life 254 00:27:11,880 --> 00:27:16,880 # Cling to your bones 255 00:27:16,880 --> 00:27:21,200 # Cling to your bones 256 00:27:21,200 --> 00:27:25,120 # Wake up 257 00:27:25,120 --> 00:27:30,920 # Wake up 258 00:27:32,800 --> 00:27:36,840 # Live 259 00:27:36,840 --> 00:27:40,320 # Wake up 260 00:27:40,320 --> 00:27:44,600 # Wake up 261 00:27:44,600 --> 00:27:51,840 # And let the cloak of life 262 00:27:51,840 --> 00:27:56,680 # Cling to your bones 263 00:27:56,680 --> 00:28:01,160 # Cling to your bones 264 00:28:01,160 --> 00:28:04,960 # Wake up 265 00:28:04,960 --> 00:28:10,400 # Wake up 266 00:28:12,640 --> 00:28:17,400 # Live 267 00:28:17,400 --> 00:28:20,720 # Wake up 268 00:28:20,720 --> 00:28:24,760 # Wake up 269 00:28:24,760 --> 00:28:32,120 # And let the cloak of life 270 00:28:32,120 --> 00:28:37,120 # Cling to your bones 271 00:28:37,120 --> 00:28:41,280 # Cling to your bones 272 00:28:41,280 --> 00:28:44,800 # Wake up 273 00:28:44,800 --> 00:28:50,880 # Wake up 274 00:28:52,480 --> 00:28:57,080 # Live 275 00:28:57,080 --> 00:29:00,800 # Wake up 276 00:29:00,800 --> 00:29:04,680 # Wake up 277 00:29:04,680 --> 00:29:10,480 # Wake up. # 278 00:29:21,400 --> 00:29:25,320 CHEERING AND APPLAUSE 279 00:29:37,520 --> 00:29:40,800 Strax to Sontar. 280 00:29:40,800 --> 00:29:43,120 Strax to Sontar. 281 00:29:43,120 --> 00:29:45,040 SCATTERED LAUGHTER 282 00:29:45,040 --> 00:29:49,600 Field report D-956/2. 283 00:29:49,600 --> 00:29:54,360 I am in a large room, surrounded by thousands of human scum 284 00:29:54,360 --> 00:29:57,680 who have gathered to celebrate The Doctor. 285 00:29:57,680 --> 00:30:00,280 A group of them are playing music, 286 00:30:00,280 --> 00:30:04,600 but nothing compared to the glory of our Sontaran music. 287 00:30:04,600 --> 00:30:06,880 Others stand, ready for battle. 288 00:30:06,880 --> 00:30:10,400 Most are too puny and weak 289 00:30:10,400 --> 00:30:14,320 and have found seats to rest their pathetic bodies. 290 00:30:14,320 --> 00:30:16,000 LAUGHTER 291 00:30:16,000 --> 00:30:20,480 Wait! Intel just in suggests The Doctor's enemies are gathering 292 00:30:20,480 --> 00:30:22,280 and preparing to attack. 293 00:30:22,280 --> 00:30:25,880 This next piece may provide further clues. 294 00:30:25,880 --> 00:30:28,280 Strax signing off. 295 00:30:30,040 --> 00:30:32,280 CHEERING AND APPLAUSE 296 00:30:34,000 --> 00:30:37,400 MUSIC: "All The Strange, Strange Creatures" by Murray Gold 297 00:30:45,920 --> 00:30:47,720 There are some corners of the universe 298 00:30:47,720 --> 00:30:49,760 which have bred the most terrible things, 299 00:30:49,760 --> 00:30:53,000 things which act against everything that we believe in. 300 00:30:53,000 --> 00:30:55,440 They must be fought. 301 00:31:08,720 --> 00:31:10,880 CROWD CHEERS 302 00:31:48,920 --> 00:31:56,920 CROWD CHEERS 303 00:32:20,840 --> 00:32:23,160 CROWD CHEERS 304 00:32:27,320 --> 00:32:29,960 CYBERMAN'S JOINTS WHIRR AND FEET THUD 305 00:32:33,720 --> 00:32:35,680 CROWD CHEERS 306 00:33:34,000 --> 00:33:35,600 ICE WARRIOR SNIFFS THE AIR 307 00:34:08,840 --> 00:34:12,560 CHEERING AND APPLAUSE 308 00:34:19,800 --> 00:34:22,360 LOUD CHEERING 309 00:34:22,360 --> 00:34:24,680 Hello. 310 00:34:26,320 --> 00:34:28,480 Are we having a nice time? 311 00:34:28,480 --> 00:34:30,800 CHEERING 312 00:34:30,800 --> 00:34:34,040 I can't hear you! I said, "Are we having a nice time?" 313 00:34:34,040 --> 00:34:36,880 LOUD CHEERING 314 00:34:36,880 --> 00:34:39,480 Now, in case you're wondering, my name is Matt Smith, 315 00:34:39,480 --> 00:34:40,760 and I play The Doctor. 316 00:34:40,760 --> 00:34:43,760 As you all know, this is a very special year for Doctor Who. 317 00:34:43,760 --> 00:34:44,800 50 years! 318 00:34:44,800 --> 00:34:46,880 CHEERING AND APPLAUSE 319 00:34:46,880 --> 00:34:49,080 Amazing! It's amazing! 320 00:34:49,080 --> 00:34:51,000 And I can't think of a better way to celebrate 321 00:34:51,000 --> 00:34:52,360 than to be here with all of you! 322 00:34:52,360 --> 00:34:54,920 One of the great joys of playing this extraordinary, 323 00:34:54,920 --> 00:34:57,600 legendary Time Lord is the support and knowledge 324 00:34:57,600 --> 00:35:00,240 and love and brilliance of you guys, the fans. 325 00:35:00,240 --> 00:35:02,280 You really make the show what it is, so thank you. 326 00:35:02,280 --> 00:35:04,760 From the bottom of my heart, you are... 327 00:35:04,760 --> 00:35:07,280 - LOUD CHEERING - ..the best. 328 00:35:07,280 --> 00:35:11,040 But now it is time for more of Murray Gold's brilliant music. 329 00:35:11,040 --> 00:35:12,960 The next piece made its debut last year 330 00:35:12,960 --> 00:35:14,360 in Asylum Of The Daleks, 331 00:35:14,360 --> 00:35:17,040 together with a rather enigmatic new character. 332 00:35:17,040 --> 00:35:21,120 It's as delicate as a souffle and one of my personal favourites! 333 00:35:21,120 --> 00:35:22,840 Here is The Impossible Girl. 334 00:35:22,840 --> 00:35:26,720 - Love you, Matt! - CHEERING AND APPLAUSE 335 00:35:34,000 --> 00:35:35,400 Once I'd seen her face, 336 00:35:35,400 --> 00:35:38,920 I wanted to write something bright, optimistic, happy. 337 00:35:38,920 --> 00:35:40,760 She's a fresh face, 338 00:35:40,760 --> 00:35:43,520 so I wanted to get that feeling across in the music. 339 00:35:49,240 --> 00:35:50,760 Impossible Girl was this theme 340 00:35:50,760 --> 00:35:53,440 that was introduced to represent Clara's character. 341 00:35:53,440 --> 00:35:57,640 It's hesitant and it's spiralling and mysterious, in a way, 342 00:35:57,640 --> 00:35:59,360 which is her when we first met her. 343 00:35:59,360 --> 00:36:02,360 There's something so fairy-tale about that music, 344 00:36:02,360 --> 00:36:06,240 and hopefully, you know, that's what connects the audience. 345 00:36:09,480 --> 00:36:12,960 The use of character themes is absolutely essential. 346 00:36:12,960 --> 00:36:15,480 It gives the audience a reference musically 347 00:36:15,480 --> 00:36:19,240 and identifies characters, and I think audiences catch onto that. 348 00:36:19,240 --> 00:36:23,280 It's amazing how the songs really do stick with you. 349 00:36:23,280 --> 00:36:25,400 I love Clara's Impossible Girl theme, 350 00:36:25,400 --> 00:36:28,760 and it's kind of something for me to keep. I love it! 351 00:36:28,760 --> 00:36:31,640 MUSIC: "Impossible Girl" by Murray Gold 352 00:40:08,040 --> 00:40:10,920 CHEERING AND APPLAUSE 353 00:40:16,240 --> 00:40:19,080 CHEERING BECOMES LOUDER 354 00:40:21,840 --> 00:40:24,000 Hello, everyone. 355 00:40:24,000 --> 00:40:26,400 CHEERING CONTINUES 356 00:40:35,280 --> 00:40:39,040 Wow! What amazing memories you all have... 357 00:40:39,040 --> 00:40:40,960 LAUGHTER 358 00:40:40,960 --> 00:40:43,520 ..even though most of you weren't even born! 359 00:40:43,520 --> 00:40:46,800 My name is Peter Davison. 360 00:40:46,800 --> 00:40:49,600 CHEERING AND APPLAUSE 361 00:40:52,840 --> 00:40:55,080 This is fun! 362 00:40:55,080 --> 00:40:57,320 I'm so pleased to be with you today 363 00:40:57,320 --> 00:41:00,000 for this special celebration of 50 years of Doctor Who. 364 00:41:00,000 --> 00:41:03,120 And I'm especially excited to be introducing this next sequence 365 00:41:03,120 --> 00:41:07,680 that looks back to the classic era, my era, of Doctor Who. 366 00:41:07,680 --> 00:41:10,400 - CHEERING AND APPLAUSE - Thank you. 367 00:41:10,400 --> 00:41:15,320 The classic series of Doctor Who ran for 26 years from 1963. 368 00:41:15,320 --> 00:41:19,280 Obviously, I'm quite late on in those 26 years! 369 00:41:19,280 --> 00:41:22,200 Not 1963, I'm not that old. 370 00:41:22,200 --> 00:41:25,080 Actually, I'm almost that old. 371 00:41:25,080 --> 00:41:28,360 This sequence includes music by Tristram Cary, 372 00:41:28,360 --> 00:41:31,200 Martin Slavin, Malcolm Clarke, 373 00:41:31,200 --> 00:41:32,880 Dudley Simpson, Paddy Kingsland, 374 00:41:32,880 --> 00:41:35,320 Peter Howell and Mark Ayres. 375 00:41:35,320 --> 00:41:39,680 CHEERING AND APPLAUSE 376 00:41:39,680 --> 00:41:42,640 And it begins with the iconic sound of the TARDIS 377 00:41:42,640 --> 00:41:44,400 created by Brian Hodgson 378 00:41:44,400 --> 00:41:47,840 with the help of his mother's front-door key and a piano string. 379 00:41:47,840 --> 00:41:51,080 Please don't try this at home. 380 00:41:51,080 --> 00:41:53,960 And then made more weird and more wonderful 381 00:41:53,960 --> 00:41:57,400 in the now legendary BBC Radiophonic Workshop. 382 00:41:57,400 --> 00:41:59,680 To perform this classic Doctor Who medley, 383 00:41:59,680 --> 00:42:03,760 the BBC National Orchestra of Wales is joined by two of these composers, 384 00:42:03,760 --> 00:42:05,920 Mark Ayres and Peter Howell. 385 00:42:05,920 --> 00:42:08,800 Please give them a huge classic round of applause. 386 00:42:08,800 --> 00:42:10,920 CHEERING AND APPLAUSE 387 00:42:17,320 --> 00:42:19,680 We were asked to put together a short suite, 388 00:42:19,680 --> 00:42:21,320 eight minutes we have got, 389 00:42:21,320 --> 00:42:25,000 to tell the story of classic Doctor Who from 1963 to 1989, 390 00:42:25,000 --> 00:42:26,720 which is quite a tall order! 391 00:42:26,720 --> 00:42:29,320 There are five or six very well known, I hope, 392 00:42:29,320 --> 00:42:31,960 pieces of incidental music from Doctor Who, 393 00:42:31,960 --> 00:42:33,400 which we have arranged 394 00:42:33,400 --> 00:42:36,120 and Ben Foster has orchestrated it all up. 395 00:42:36,120 --> 00:42:37,240 It was a passion of mine 396 00:42:37,240 --> 00:42:39,840 that we did something with Radiophonic for the 50th. 397 00:42:39,840 --> 00:42:42,440 This music meant everything to me as a child. 398 00:42:43,920 --> 00:42:46,080 Peter was also my tutor at the film school, 399 00:42:46,080 --> 00:42:48,680 so to be able to go up to my old tutor and say, 400 00:42:48,680 --> 00:42:52,200 "Bar 54, not quite working." So I had a good time with that. 401 00:42:53,400 --> 00:42:56,440 It's several firsts all at once, really. 402 00:42:56,440 --> 00:42:59,680 I've never played synth with an orchestra. 403 00:42:59,680 --> 00:43:03,840 And I certainly never imagined doing it at the Albert Hall! 404 00:43:03,840 --> 00:43:06,760 It's really nice for us to be asked to join in! 405 00:43:06,760 --> 00:43:08,480 It's a great opportunity, yes! 406 00:43:08,480 --> 00:43:11,400 We've had a terrific time doing it, and I hope that the audience 407 00:43:11,400 --> 00:43:15,040 feel that we've rightly celebrated their contribution to the show. 408 00:43:16,800 --> 00:43:20,360 I watched Doctor Who from its opening episode, 409 00:43:20,360 --> 00:43:22,840 and the music from the Radiophonic Workshop 410 00:43:22,840 --> 00:43:26,680 is hugely sort of emotional and seemed to fit it like a glove. 411 00:43:26,680 --> 00:43:29,000 It was sort of slightly science-fictiony music, 412 00:43:29,000 --> 00:43:31,160 which was unusual then. 413 00:43:33,040 --> 00:43:36,320 This is classical music, this Radiophonic Workshop 414 00:43:36,320 --> 00:43:40,400 is wonderful, important music that people should hear again. 415 00:43:48,840 --> 00:43:55,600 METALLIC THRUMMING 416 00:44:00,120 --> 00:44:05,280 BUZZING AND BEEPING 417 00:44:08,960 --> 00:44:12,040 AUDIENCE WHOOPS AND CHEERS 418 00:44:16,640 --> 00:44:18,520 INTENSE THRUMMING 419 00:44:27,040 --> 00:44:28,960 AUDIENCE CHEERS 420 00:44:30,920 --> 00:44:35,920 You will go ahead of us and follow my directions. 421 00:44:35,920 --> 00:44:39,680 MUSIC: "The Daleks" 422 00:44:58,680 --> 00:45:02,400 MUSIC: "The Tomb Of The Cybermen" 423 00:45:31,120 --> 00:45:35,320 You shall be like us. 424 00:45:42,120 --> 00:45:44,600 HIGH-PITCHED BEEPING 425 00:45:44,600 --> 00:45:46,240 SCREAMING 426 00:45:48,160 --> 00:45:50,920 WHIRRING AND BEEPING 427 00:45:58,560 --> 00:46:00,560 SCREAMING 428 00:46:08,920 --> 00:46:13,680 - Where are we going? - Are you talking philosophically or geographically? 429 00:46:13,680 --> 00:46:16,320 - Philosophically. - Then we're going to lunch. 430 00:46:16,320 --> 00:46:18,840 I know a little place that does a wonderful bouillabaisse. 431 00:46:18,840 --> 00:46:21,760 - Do you like bouillabaisse? - Bouillabaisse? Yum yum. 432 00:47:28,160 --> 00:47:29,440 Doctor? 433 00:47:30,880 --> 00:47:32,160 Doctor? 434 00:47:34,240 --> 00:47:35,960 Doctor? 435 00:47:35,960 --> 00:47:37,640 AUDIENCE CHEERS AND APPLAUDS 436 00:47:37,640 --> 00:47:39,160 Doctor? 437 00:47:39,160 --> 00:47:41,360 - Doctor? - Doctor? 438 00:47:41,360 --> 00:47:42,720 Doctor! 439 00:47:42,720 --> 00:47:44,000 Doctor? 440 00:47:46,880 --> 00:47:48,280 Doctor! 441 00:47:48,280 --> 00:47:50,720 It's the end. 442 00:47:50,720 --> 00:47:53,280 But the moment has been prepared for. 443 00:48:05,240 --> 00:48:07,120 He was the doctor all the time. 444 00:48:21,560 --> 00:48:24,400 APPLAUSE 445 00:49:50,880 --> 00:49:53,000 All my travellings throughout the universe, 446 00:49:53,000 --> 00:49:57,240 I have battled against evil, against power-mad conspirators. 447 00:49:58,240 --> 00:50:00,200 I should have stayed here. 448 00:50:00,200 --> 00:50:03,080 Daleks, Sontarans, Cybermen, 449 00:50:03,080 --> 00:50:05,440 they're still in the nursery compared to us. 450 00:50:05,440 --> 00:50:07,480 Ten million years of absolute power, 451 00:50:07,480 --> 00:50:10,120 that's what it takes to be really corrupt. 452 00:50:12,000 --> 00:50:13,840 What's happened? 453 00:50:13,840 --> 00:50:15,760 Change, my dear. 454 00:50:15,760 --> 00:50:18,560 And it seems not a moment too soon. 455 00:50:23,320 --> 00:50:26,520 She's my mum, and I don't love her. 456 00:50:28,960 --> 00:50:31,720 What's wrong with me? 457 00:50:31,720 --> 00:50:33,600 Why can't I stop hating her? 458 00:50:33,600 --> 00:50:35,560 You love the baby. 459 00:50:35,560 --> 00:50:37,440 I didn't know she was my mum! 460 00:50:38,720 --> 00:50:40,120 Love and hate... 461 00:50:40,120 --> 00:50:42,880 frightening feelings, 462 00:50:42,880 --> 00:50:46,280 especially when they're trapped, struggling beneath the surface. 463 00:51:43,240 --> 00:51:47,040 AUDIENCE CHEERS AND APPLAUDS 464 00:51:57,440 --> 00:51:59,520 Attention! 465 00:51:59,520 --> 00:52:02,200 Attention, Gilbert. 466 00:52:02,200 --> 00:52:05,520 This Royal Albert Hall 467 00:52:05,520 --> 00:52:08,800 is now under Dalek control. 468 00:52:08,800 --> 00:52:11,440 The building is surrounded. 469 00:52:11,440 --> 00:52:15,160 There is no escape from the Daleks. 470 00:52:15,160 --> 00:52:19,080 You must obey or be exterminated. 471 00:52:19,080 --> 00:52:20,360 Exterminate. 472 00:52:20,360 --> 00:52:21,520 Exterminate. 473 00:52:21,520 --> 00:52:22,680 Exterminate. 474 00:52:24,600 --> 00:52:27,080 What is that device you are holding? 475 00:52:27,080 --> 00:52:30,240 - HIGH-PITCHED BUZZING - What is that strange noise? 476 00:52:30,240 --> 00:52:34,120 Explain yourself. Keep away from me now. 477 00:52:34,120 --> 00:52:36,160 Alert. Alert. 478 00:52:36,160 --> 00:52:39,880 The conductor is overacting. Alert. Alert. 479 00:52:39,880 --> 00:52:43,200 Daleks are allergic to overacting. 480 00:52:45,320 --> 00:52:48,720 This celebration of the predator 481 00:52:48,720 --> 00:52:52,000 is offensive to the Daleks 482 00:52:52,000 --> 00:52:54,200 and must be cleansed. 483 00:52:54,200 --> 00:52:56,360 Orchestra... 484 00:52:56,360 --> 00:53:00,880 you are now all slaves of the Daleks. 485 00:53:00,880 --> 00:53:04,280 You will play special Dalek music. 486 00:53:04,280 --> 00:53:07,240 You will obey. 487 00:53:07,240 --> 00:53:09,880 Conductor... 488 00:53:09,880 --> 00:53:11,880 remain on that platform 489 00:53:11,880 --> 00:53:13,680 and stop overacting. 490 00:53:16,280 --> 00:53:20,200 Resist us and you will be exterminated. 491 00:53:21,520 --> 00:53:26,200 Behold the might of the Dalek Empire. 492 00:53:26,200 --> 00:53:32,000 Humans, will you obey the Daleks for ever? 493 00:53:32,000 --> 00:53:35,080 AUDIENCE: No! 494 00:53:35,080 --> 00:53:36,880 Answer correctly. 495 00:53:36,880 --> 00:53:38,960 AUDIENCE: No! 496 00:53:38,960 --> 00:53:43,360 Let me hear you say, exterminate. 497 00:53:43,360 --> 00:53:45,960 AUDIENCE: Exterminate! 498 00:53:45,960 --> 00:53:48,760 I cannot hear you. 499 00:53:51,720 --> 00:53:53,600 Say it again. 500 00:53:53,600 --> 00:53:56,600 AUDIENCE: EXTERMINATE! 501 00:53:56,600 --> 00:54:00,560 You would all make very good Daleks. 502 00:54:01,840 --> 00:54:06,240 In that case, Ben Foster, actor of the year... 503 00:54:09,280 --> 00:54:12,320 ..if you value your life, 504 00:54:12,320 --> 00:54:14,240 you will begin. 505 00:54:14,240 --> 00:54:18,080 Begin or be exterminated. 506 00:54:24,520 --> 00:54:28,000 MUSIC: "The Dark And Endless Dalek Night" 507 00:54:42,520 --> 00:54:44,560 CHOIR SING 508 00:59:52,600 --> 00:59:55,720 APPLAUSE AND CHEERING 509 01:00:05,320 --> 01:00:09,000 APPLAUSE 510 01:00:15,440 --> 01:00:17,480 Hello! 511 01:00:17,480 --> 01:00:20,000 I'm Carole Ann Ford. 512 01:00:20,000 --> 01:00:22,560 CHEERING AND APPLAUSE 513 01:00:25,520 --> 01:00:29,840 I played The Doctor's first screen companion, 514 01:00:29,840 --> 01:00:32,360 his granddaughter, Susan Foreman. 515 01:00:32,360 --> 01:00:34,680 CHEERING 516 01:00:39,000 --> 01:00:42,680 Now, I first met The Doctor's oldest and most despised enemy, 517 01:00:42,680 --> 01:00:46,560 the Daleks, nearly 50 years ago, 518 01:00:46,560 --> 01:00:49,520 with the great William Hartnell. 519 01:00:49,520 --> 01:00:52,480 CHEERING 520 01:00:54,640 --> 01:00:58,880 Who'd have thought this celebration would be happening 50 years on? 521 01:00:58,880 --> 01:01:00,640 AUDIENCE MEMBER: It's amazing! 522 01:01:00,640 --> 01:01:03,720 It is amazing, isn't it? It is amazing. Amazing. 523 01:01:10,040 --> 01:01:14,160 This next piece brought the most recent series to a close 524 01:01:14,160 --> 01:01:17,800 and left us with one of Doctor Who's greatest cliff-hangers. 525 01:01:17,800 --> 01:01:20,680 I don't know about you, but I can't wait till November, 526 01:01:20,680 --> 01:01:23,080 and Matt won't tell me a thing! 527 01:01:24,680 --> 01:01:29,840 Anyway, for now, The Name Of The Doctor. 528 01:01:29,840 --> 01:01:32,760 CHEERING AND APPLAUSE 529 01:03:00,640 --> 01:03:03,840 APPLAUSE 530 01:03:10,680 --> 01:03:15,480 I have information, valuable information. 531 01:03:15,480 --> 01:03:17,120 Are you bargaining for your life? 532 01:03:17,120 --> 01:03:19,160 The Doctor! 533 01:03:19,160 --> 01:03:21,800 The Doctor has a secret, you know. 534 01:03:21,800 --> 01:03:24,560 He has one he will take to the grave. 535 01:03:26,800 --> 01:03:29,240 And it is discovered. 536 01:07:57,480 --> 01:07:59,240 Run. 537 01:07:59,240 --> 01:08:01,280 Run, you clever boy. 538 01:08:02,760 --> 01:08:04,440 And remember me. 539 01:09:10,640 --> 01:09:13,680 APPLAUSE 540 01:09:20,760 --> 01:09:23,600 CHEERING 541 01:09:26,680 --> 01:09:29,560 So what does it all mean, hey? 542 01:09:30,800 --> 01:09:33,960 Only another four months till we find out! 543 01:09:33,960 --> 01:09:36,400 All right, all right. Stop it. Stop teasing! 544 01:09:36,400 --> 01:09:38,160 I know, that's my job. 545 01:09:38,160 --> 01:09:40,760 So, that was music from The Name Of The Doctor, 546 01:09:40,760 --> 01:09:44,960 Steven Moffat's enigmatic and brilliant finale to series seven. 547 01:09:44,960 --> 01:09:48,400 I'm sure I remember him saying, "No more cliff-hangers." 548 01:09:48,400 --> 01:09:51,400 Yeah... Sadly, time is racing, and we're fast approaching 549 01:09:51,400 --> 01:09:54,480 the end of this 50th anniversary celebration of Doctor Who. 550 01:09:54,480 --> 01:09:56,080 But before we say goodbye... 551 01:09:56,080 --> 01:09:58,080 Would you like to hear some more? 552 01:09:58,080 --> 01:09:59,760 CHEERING 553 01:09:59,760 --> 01:10:02,760 They would like to hear some more. Well, you're in for a treat. 554 01:10:02,760 --> 01:10:06,720 To end this very special Doctor Who Prom, we're going to take you back, 555 01:10:06,720 --> 01:10:09,880 back in time to 23rd November 1963, 556 01:10:09,880 --> 01:10:12,840 when the very first episode of Doctor Who was broadcast 557 01:10:12,840 --> 01:10:16,120 on BBC television. It introduced to the world 558 01:10:16,120 --> 01:10:18,880 one of the most iconic theme tunes 559 01:10:18,880 --> 01:10:22,120 ever written in the history of the universe. 560 01:10:22,120 --> 01:10:24,080 APPLAUSE 561 01:10:26,400 --> 01:10:28,680 Composed by Ron Grainer 562 01:10:28,680 --> 01:10:31,640 and arranged by Delia Derbyshire, in the BBC's legendary 563 01:10:31,640 --> 01:10:35,040 Radiophonic Workshop, it was unlike anything anyone had heard before. 564 01:10:35,040 --> 01:10:38,280 We'll end this concert with Murray Gold's latest version 565 01:10:38,280 --> 01:10:40,280 of the greatest theme tune of all time. 566 01:10:40,280 --> 01:10:41,880 Enjoy! 567 01:10:41,880 --> 01:10:45,040 CHEERING AND APPLAUSE 568 01:12:26,720 --> 01:12:29,920 CHEERING AND APPLAUSE 569 01:13:40,560 --> 01:13:42,800 Subtitles by Red Bee Media Ltd 570 01:13:42,800 --> 01:13:44,240 Exterminate!